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Art Education students may complete the coursework required for K-12 teacher licensure. Art Educators at Otterbein meet Art Major requirements in studio and art history, and present a senior exhibition of their work. Visits to a variety of schools in the greater Columbus area provide a thorough preparation for a career in art education. See the
Department of Education site for more information about licensure programs at Otterbein. We offer art minors in arts administration, art history, and studio art.
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The ceramics program at Otterbein University offers you the opportunity
to explore a variety of themes and ideas in ceramics. You explore
ceramic form in both a sculptural and vessel format, allowing you to
discover your own interests and develop your own personal style.
Students in ceramics learn about history of ceramics and ceramic form
while exploring contemporary approaches, practices and themes.
While discovering your style, you will also delve into material
knowledge through hands-on experience such as glaze calculation and
various types of kiln firing techniques. Students use an array of tools
and techniques, including gas and electric kilns for low-fire and
high-fire applications, raku kiln, wheel throwing, hand building, and
ceramic material calculation and formulation.
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Communication Design is art in service to ideas and action. It is art
that knows that communication is relevant. Graphic designers bring
together the disparate elements of ideas, shapes, textures, colors,
images and words. The study of all fine arts informs the design process.
Otterbein's liberal arts structure ultimately prepares you to adapt to
an ever-changing world.As a Communication Design major, you will build
the necessary foundation to challenge existing attitudes and create new
methods by which our society visually communicates. There is no mold,
set of standards, or software program to which you must conform. One
acquires knowledge through intense research and exploration, hard work
and self-discipline. Foundations are developed early using pencil and
paper, pen and ink, and an open mind. You will begin acquiring
typographic skills by constructing letterforms by hand - a process that
informs "visual dynamic" literacy.
Once you develop good typography skills, assignments begin incorporating
image manipulation, computer production and output. Many of the
challenges undertaken in class are design solutions for clients in the
Columbus area. These opportunities introduce class competition,
client/designer work relationships, monetary compensation and actual
experience. Reference to the history of Communication Design is
expressed in many assignments. This informs the creative process and
avoids "reinventing the wheel."
You will spend your senior year completing a portfolio to be presented
in both traditional and electronic formats. The portfolio will include
class assignments, actual client work and a self-promotion piece in the
form of a book.
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Intermediate Drawing
Intermediate drawing emphasizes drawing from the human figure. You will
work with a variety of drawing materials and are introduced to rendering
techniques that involve development of line, form, and color.
In-class studies based on observation of the model include anatomical
studies, proportion, and movement. These observational studies serve to
give you confidence in working with the figure and a range of drawing
processes. The ability to work with these materials and render the human
figure are applied to more conceptual projects throughout the term.
You will be introduced to project assignments through slide lectures and
videos which cover the use of the figure throughout history. You will
research figurative traditions from global cultures and are asked to
incorporate these elements in drawing projects.
Group critiques, sketchbook and writing assignments are integral to your
understanding the creative process of the contemporary artist and
approaches to drawing. Field trips, visiting artist lectures and gallery
talks offer you a broad range of ideas in the development of their
personal vision.
Advanced Drawing
Advanced drawing emphasizes the individual development of your personal
vision and expression in drawing. This dedicated time and space offers
you an opportunity to apply the conceptual and technical skills
developed in previous course work.
You will explore a variety of media and methods based on personal
interests determined after consultation with the instructor. Traditional
and alternative methods in drawing are presented to the advanced
student through slide lectures, videos and gallery or museum visits.
You will choose specific methods and approaches to apply to a series of
works for your final project. Writing assignments and individual and
group discussions encourage you to develop critical thinking, writing
and verbal skills.
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Otterbein offers a concentration in Integrated Digital Media. The
Department of Art offers three courses in Integrated Digital Media:
Beginning, Time-Based Media and Interdisciplinary Studio.
Otterbein’s Integrated Digital Media (IDM) concentration strives to
produce innovative artists who aren’t afraid to experiment and push the
boundaries of art.
You will explore art with an approach that blurs the line between
image-based, time-based and traditional mediums in the context of
contemporary art. The program challenges you to combine your varied
academic and personal interests in projects that embrace the future of
art - video, digital-imaging, sound art, installation art and the
creation of alternative exhibition venues. You will learn the technical
and theoretical aspects of contemporary art through research and
creative projects such as experimental video documentaries, digital
imaging, social media and readings on theory and art history.
We recognize technology as an integral part of our daily lives and have
created two well-equipped Macintosh Labs for you to explore new and
emerging forms of art. You will have access to high-definition video
cameras, portable sound recorders and large-format inkjet printers.
Technical instruction and conceptual assignments challenge students to
examine traditional and nontraditional models of imagery conveyed by art
history and popular culture. Students build on prior art experiences in
drawing, sculpture and photography to develop form and content of
individual work.
This concentration uses computers, scanners, ink jet printers, video
cameras, and sound recorders as tools in art making, and encourages
students to make critical decisions regarding content. Upon graduation
successful students possess a strong understanding of visual culture
with the ability to place their work within the various contexts of
contemporary art.
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Painting classes at Otterbein provide you with basic knowledge of the
tools, materials, and techniques used in various painting media.
Classes build upon the foundations gained in 2-D Design and Drawing. The
course emphasis is upon fundamental principles of visual organization
and composition in painting, vitality and personal expressiveness, and
upon disciplined, committed interaction between the artist and the work
in process. A series of assigned painting projects along with
individually selected painting problems help you develop painting
skills. Instructors will work with you one-on-one, as well as in group
critiques.
Additional components of painting classes include keeping a sketchbook,
writing an artist's statement, viewing videos about artists, and
studying slides of art historical examples. Painting classes are
augmented by field trips, museum visits, exhibitions and talks by
visiting artists. Recently, students have benefited from visits by
international artists-in-residence.
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The Department of Art offers courses in beginning, intermediate, and
advanced photography. The beginning and intermediate courses focus on
the development of technical and creative skills in black and white
photography. The focus of the advanced course rotates annually between
The Fine Print, Color, and Alternate Photographic Approaches.
Through content-based assignments and final portfolio projects followed
by group and individual critiques, you are presented with a strong
foundation in the technical and aesthetic aspects of the medium.
An emphasis is also placed on visual awareness: the ability to see
perceptively and to translate that perception into expressive
photographs. You are also encouraged to express their visual ideas in
written form through artist statements and personal journals.
Faculty regularly present slide and video lecture material on the
History of Photography, concentrating on 19th and early 20th century in
the beginning class, the 1920s through the 1960s in intermediate, and
1970s to contemporary in the advanced course. Field trips to local
galleries and museums, and lectures by visiting artists offer you the
opportunity to see original photographic work. Through on-campus
exhibitions, the Art Department is developing a substantial Permanent
Teaching Collection of 20th century photographs.
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Printmaking students link their creative ideas to intaglio and relief
processes. Print content is determined by your personal creative
interests.
You will learn etching, drypoint, aquatint, linocut, woodcut, and
collagraph techniques, and are introduced to a variety of tools for
creating plates and blocks. Japanese and European papers are used in
both hand-printing and on an intaglio press. Sketchbooks play an
important role in helping you to identify the appropriate process for a
particular print project.
Portfolios of professional artists' prints are viewed in class. A range
of critique approaches is employed to help you produce the strongest
possible images.
The class culminates in the completion of print portfolios that reflect
your interests and your mastery of printmaking techniques.
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Sculpture is taught in a studio-based course where you will develop
skills in figure modeling, model making, glass casting, wood
fabrication, plaster work on armature, subtractive surface development
and conceptual project presentation.
In small classes, you will develop personal solutions to problems. Close
interaction with an instructor and your peers provides for ongoing
lively discussion.
The sculpture studio is equipped with large sturdy surfaces; hand and
power tools for wood working; a computer-controlled annealer for glass
and ceramic casting, and a wide range of materials for multi-media
design.