Art + Environment

Mirrored and Reflected

Ice Formations Transformed
Miller Gallery
August 21 - November 13, 2024
David Stichweh, Photographer
Public Reception
August 31, 2024, 4p - 6p
Artist remarks begin at 4:30p
In winter, the small world of ice patterns on the surfaces of shallow puddles creates an infinity of shapes and forms that are the subjects of my photographs. Exploring this subject with the camera extends to further exploring during the process of printing. In printing an individual exposure, the subject is flipped, mirrored, reflected and turned. Combining these four perspectives into a single print creates new visual relationships with all the lines and shapes within the subject revealing a new awareness of pattern and design.

What does a mirror reveal as it reflects what is in front of it? What does an image reveal as it is reflected back on itself?

In my prints I take one subject and mirror, reflect, flip, and rotate it, then combine these four perspectives into a single image. The subject’s lines and shapes are seen in relationship to each other, creating new patterns and designs.

During the past three winters I photographed the ever-changing and infinitely varied shapes and patterns of ice that formed on the surfaces of small puddles, most one to two feet in diameter and no more than one to two inches deep. I was amazed at the variety of patterns and shapes the ice became and amazed again at what the mirrored and reflected presentation of the subject revealed in the final print. Some images are just a fascinating presentation of pattern and design. Other images transport me into another time and dimension.

In the prints titled Deep Space, I photographed ice patterns on the surface of 1” deep puddles. The multifaceted prints of these exposures take me into the realm of deep space: into the presence of galaxies and stars and nebulae, into infinity. What is the power of a photograph, a painting, a drawing, a print, or any art form to transcend what we see into more than what we see? From sight to insight.

“…I go amazed into 

the maze of a design.”

—Wendall Berry
Poet (Sabbaths, 7–8)

Ice forms on the surface of small puddles seem like such a simple subject. Yet exploring within this subject both with the camera and by the way it is presented in the print allows me to visualize what I sense within the subject as well as what I see.

Katie Reaver is ceramic artist and sculptor based in Millersport, Ohio. She studied ceramics at the University of Mary Washington, in Fredericksburg, Virginia, where she graduated with a BA in studio art. Two years in the post-baccalaureate program at the University of Arkansas developed her artistic practice and gave her the opportunity to work as a studio technician and instructor at a local community arts center. After completing her MFA in ceramics at Ohio University, Katie joined the editorial staff of the Ceramic Arts Network and currently serves as editor of Ceramics Monthly. In the studio, her work and research focus on decorative objects, craft processes, and personal and shared histories. 


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Current Exhibitions

  • 7th Annual Juried High School Art Exhibition

    Miller Gallery
    November 23 – December 5, 2025
    The purpose of Otterbein’s Annual Juried High School Exhibition is to learn about and to support High School artists in Ohio and the contiguous states.
  • Paper Cosmologies

    Hiromi Mizugai Moneyhun’s Floating Worlds
    Frank Museum of Art
    January 8 – April 23, 2026
    Paper Cosmologies draws on Florida-based Japanese artist Hiromi Mizugai Moneyhun’s (水貝 宏美) Ukiyo and Emergence series, which turn single sheets of washi paper into universes that refuse a frame. Through kirie (切り絵)—the ancient and painstaking Japanese art of paper cutting—Moneyhun realizes complex and fantastical worlds where female figures inherit the elegance of bijin-ga (美人画) beauty, even as they emerge, entangle, and transform into animals, architecture, and landscapes. The diaphanous, yet commanding and playful paper forms ask: “What if our ideas of separation are an illusion?”
  • Ukiyoe’s Living Legacy: The Yoshida Family Prints

    Frank Museum of Art
    August 20 – December 5, 2025
    From the Meiji period (1868-1912) to the present day, the Yoshida family has carried forward a printmaking tradition rooted in the aesthetics of ukiyo-e, a genre of Japanese art that flourished during the Edo period (1603-1867) and that depicted transient pleasures and everyday life of the urban population. Beginning with work by the patriarch Hiroshi Yoshida (1876-1950), this exhibition samples the Yoshida family’s artistic re-imagining of ukiyo-e through modern and contemporary periods. The works on view from the Flaten Art Museum demonstrate technical mastery and an ongoing negotiation between past and present, tradition and innovation, place and personhood.