ABout the Artist
Christopher Jackson
Christopher Jackson is a painter and arts professional who received his Bachelor of Fine Arts (BFA) degree from Otterbein University in 2025. He was awarded an Otterbein-artist–in-Residence, a year-long creative residency to pursue his work as an oil painter in June 2025. Jackson served as a Collections Management Intern with The Frank Museum of Art, where he photo-documented and databased the Richard ’54 and Carolyn Brown ’53 Sherrick Collection of more than 600 creché and related scenes. Jackson also was an Education Intern with The Wexner Center for the Arts, where he also led gallery tours and worked with the Registrar.
Thank you to our sponsors for their ongoing support of our global arts and interdisciplinary exhibitions and programming.
Plan
Your
Visit
The Frank Museum is located one block east of Uptown Westerville’s vibrant commercial district. Spend an afternoon visiting the museum’s current exhibition, browsing in Uptown’s locally owned shops, and relaxing in our excellent restaurants or coffee establishments. The Frank Museum staff are always available for tours.
Current Exhibitions
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Weight & Witness
Alex Lewis & Jack KoppertFisher GalleryApril 5 – September 26, 2026Weight & Witness pairs the accumulated gravity of Alex Lewis’ ceramic and assemblage sculptures with the unflinching portraiture of Jack Koppert’s oil paintings. Together, their work engenders a domestic solemnity, punctuated by moments of surprise and humor. -
Senior Exhibitions: Part I
“Growing Pains”Miller GalleryApril 13 – April 17, 2026Join Otterbein faculty and staff as we celebrate our students during their Senior Capstone fine art exhibitions. -
Paper Cosmologies
Hiromi Mizugai Moneyhun’s Floating WorldsFrank Museum of ArtJanuary 8 – April 23, 2026Paper Cosmologies draws on Florida-based Japanese artist Hiromi Mizugai Moneyhun’s (水貝 宏美) Ukiyo and Emergence series, which turn single sheets of washi paper into universes that refuse a frame. Through kirie (切り絵)—the ancient and painstaking Japanese art of paper cutting—Moneyhun realizes complex and fantastical worlds where female figures inherit the elegance of bijin-ga (美人画) beauty, even as they emerge, entangle, and transform into animals, architecture, and landscapes. The diaphanous, yet commanding and playful paper forms ask: “What if our ideas of separation are an illusion?”